Wednesday, June 12, 2019
Analysis of Salome Dancing before Herod by Gustave Moreau Term Paper
Analysis of Salome Dancing before Herod by Gustave Moreau - Term Paper ExampleHerod, on the other hand, is in love with his own daughter, but of course, Salome does not love Herod in that fashion. Hence, to enforce her father to get Johns head, Salome dances for Herod in a way of seducing him (Nermeena 1). This delineation by Gustave Moreau came out quite differently from the facts in the Bible. Critics found the astonishing, superhuman Salome to be an overpowering fascination portrayed from that canvas picture show. Also, the watercolor known as the Apparition was fairly screaming. This was how Huysmans, a French novelist, wrote about Moreaus Salome in his book, A Rebours (1884). The theme was tremendously popular in the figurative arts, music, as well as literature, towards the end of the century. The theme concurred with the misogynous attitude of the Symbolists. In the interpretation given in Huysmans text, people can view Salome as a vicious young-bearing(prenominal) who sedu ces Herod, her own father, in order to get Johns head. ...The unicorns are symbols of purity, as well as chastity. The work also suggests a feeling of serenity, as well as comfort, in the mythological subject matter. The word-painting was completed in 1875, and it adopted the style of symbolism (Moreau 1). Also, it is classified under the religious genre. The painting used oil technique on canvas material, and its dimensions are 61cm by 92cm. The room the painting is placed in is extremely spacious with regards to the size of the painting (Moreau 1). The rooms dimensions were 870 by 700 cm. This is adequate space for the painting. A painting, in its showcase, needs adequate room, as well as lighting. The room is also multi-colour white (Moreau 1). Hence, the dark color of the painting makes it stand out. The artificial lighting is, hence, not needed. Other two paintings that caught the eyes of many viewers were the Jupiter and Semele, as well as the Dream. The latter work was done by Gustave Moreau and the first work by Pierre Puvis de Chavannes.
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